آيه هاي ترديد

اين ها نه زخم هايي است كه در زندگي، در انزوا، مثل خوره ذره ذره روح آدم را مي خورند و مي تراشند، و نه حرف هايي است كه آدم به سايه اش مي گويد تا خودش را به او معرفي كند. بلكه حرف هاي سايه اي است با خودش؛ سايه اي كه آدمش رفته، نيست ديگر.

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"All my life I've been harassed by questions: Why is something this way and not another? How do you account for that? This rage to understand, to fill in the blanks, only makes life more banal. If we could only find the courage to leave our destiny to chance, to accept the fundamental mystery of our lives, then we might be closer to the sort of happiness that comes with innocence."

20021214

I know you well. you are a part of me. I know you better than I know myself. I know you best, better than anyone. I know you better than I know myself. You don't judge. You can't speak. You can't leave. You can't hurt me. You're just here for me to use. I know you best, better than one might think. I know you better than I know myself. It's time for youto make a sacrifice. It's time to die alittle. Give it up. You are a part of me.

Tool - 1992 - Opiate

20021213

I don't want to be hostile. I don't want to be dismal. But I don't want to rot in an apathetic existance either. See I want to believe you, and I want to trust and I want to have faith to put away the dagger. But you lie, cheat, and steal. And yet I tolerate you. Veil of virtue hung to hide your method while I smile and laugh and dance and sing your praise and glory. Shroud of virtue hung to mask your stigma as I smile and laugh and dance and sing your glory while you lie, cheat, and steal. How can I tolerate you. Our guilt, our blame, I've been far too sympathetic. Our blood, our fault. I've been far too sympathetic. I am not innocent. You are not innocent. No one is innocent. I will no longer tolerate you. Even if I must go down beside you. Because, No one is innocent.

Tool - 1993 - Undertow

20021212

Dreaming of that face again. It's bright and blue and shimmering. Grinning wide and comforting me with it's three warm and wild eyes. On my back and tumbling down that hole and back again rising upand wiping the webs and the dew from my withered eye. In Out In Out In Out A child's rhyme stuck in my head. It said that life is but a dream. I've spent so many years in question to find I've known this all along. "So good to see you. I've missed you so much. So glad it's over. I've missed you so much. Came out to watch you play. Why are you running?" Shrouding all the ground around me. Is this holy crow above me. Black as holes within a memory and blue as our new second sun. I stick my hand into his shadow to pull the pieces from the sand. Which I attempt to reassemble to see just who I might have been. I do not recognize the vessel, but the eyes seem so familiar. Like phosphorescent desert buttons singing one familiar song... "So good to see you. I've missed you so much. So glad it's over. I've missed you so much. Came out to watch you play. Why are you running away?" Prying open my third eye. So good to see you once again. I thought that you were hiding. And you thought that I had run away. Chasing the tail of dogma. I opened my eye and there we were. So good to see you once again I thought that you were hiding from me. And you thought that I had run away. Chasing a trail of smoke and reason. Prying open my third eye.

Tool - 1996 - Aenima

20021211

 ARYANMEHR
we based our ideas on impossible shapes and perpetual motion, looking back at artists like Oscar Reutersvärd. The logo is a stylised version of the Penrose triangle (impossible triangle).

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